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My Google, Why Have You Forsaken Me?
Internet search engine company Google says its latest algorithm update is aimed at downgrading the ranking of content farms such as demand media and associated content. It seems however that the small, independent site web site owners are the ones being hit hardest. Is this any surprise as such sites cannot afford to pay Google to diect traffic that way. The move reduces blogging to glorified social networking and drives unusual content to the margins of the web

My Google, Why Have You Forsaken Me?
by Ian R Thorpe
2010-02-26
CREATIVE COMMONS: Attribute, non commercial, no derivs.
KEYWORDS: internet, google, web, technology, science, contents, demand media, quality, enterttainment, medium, media, shopping, social, satire, humour, humor

Let's be clear, the headline is misleading, I have never felt tempted to deify Google. To me they have always been a bunch of nastry, nerdy little neo Nazis who were hellbent on world domination.

They have just taken another step towards the goal of being made Gods by public acclaim (as was Julius Ceasar) with the complicity of governments and regulatory bodies.

Here is how Web Pro News reports it:

As you probably know by now, Google has implemented a new algorithm change that the company says impacts 11.8% of their queries. While Google would not come out and say directly that the update is aimed at content farms, this is widely understood to be the case.

What Google did say, is: "This update is designed to reduce rankings for low-quality sites—sites which are low-value add for users, copy content from other websites or sites that are just not very useful. At the same time, it will provide better rankings for high-quality sites—sites with original content and information such as scientific research, in-depth reports, thoughtful analysis and so on."

Google has referred to content farms in the past, as "sites with shallow or low-quality content," and also recently said, "attention has shifted to content farms".

Now, the first words that come to mind when you hear "content farm" are likely "Demand Media". It makes sense. Do a Google search for "content farm" and almost every result on the first page will mention the company.

Demand insists that it is not a content farm, but was quick to release a statement following Google's update.

WPN concluded, "Tell us what you think."

It is not often I use Boggart Blog for a serious opinion but today is an exception. This is the comment I left on the Web Pro News webmaster forum

If the informtion I am reading about the latest Google update and other comments coming from the Google World Domination Corp. are correct it seems they have completely dismissed the idea of the web as an enertainment medium. As long as the web is controlled by Google its purpose will be to exploit users.

They seem to regard 'science' (whatever they mean by that), useful information (price comparison sites?), social networking and shopping sites as useful while anybody trying to provide a bit of entertainment, post a controversial opinion or feature anything that a lot of people are not regularly searching on is included in 'shallow or low value content.'

I know the science lobby have been whining about 'junk science' on the web for a long time but there is no greater source of junk science than the science lobby themselves. Look at the complete fraud that was carbon driven global warming. Look at that idiotic waste of public money that is The Large Hadron Collider. Look at the obscence amounts of money thrown at gormless twats like Brian Cox who was recently blethering about eploring planets in neighbouring galaxies. The nearest galaxy you must remenber is 2.5 million light years distant.

Light travels at an estimated 186,000 miles per second. Our fastest rocket will do 30,000 miles per hour. That's a 67.5 million year journey to get to the closest galaxy. Poor Brian must have thought Red Dwarf was a documentary. There are no new propulsion technologies in sight and even if there were we would need to use as yet unknown materials to build a spacecraft capable of withstanding the stresses of travelling at anywhere near light speed so we're still looking at spending money on the utterly unfeasible.

What else do Google consider quality content?

Do we really all want to spend our time searching for helpful hints and timsesaving tip or reading up schoolkid history.

Are we going to allow ourselves to be coerced into living our lives online, buying everything we buy from internet businesses, doing our banking on a medium that is totally insecure and exposing our most private activities to an organisation thatr has shown many times it has nothing but contempt for the notion that its users are entitled to privacy?

I get the impression that Google's definition of 'quality content' is that which brings them the most revenue while the type of content they are seeking to marginalise is whatever threatens to take revenue from them (Demand Media etc.) or what is not aimed at selling stoff on behalf of people who are prepared to pay Google for their traffic.

Well it looks as if blogging is dead as anything but a small scale social activity. As for my own project, Greenteeth Multi Media, I can shift it to scribd.com or Demand Media who are big enough to take Google on.

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Has Blogging Finally Died?
My traffic to this blog has gone down the pan. I have not been doing a lot to promote my blog recently I admit. So what is he complaining about? you might well ask. The reason I stopped putting the effort in is there seems to be nothing I can do attract readers now. Since Google introduced it's ...
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BBC Comedy

BBC Comedy Blog
Updated : Tue, 28 Aug 2012 09:53:42 +0000

Radio 4's Beauty Olonga

Jocelyn Jee Esien as Beauty Olonga

Radio 4's comedy, Beauty of Britain, is about a woman called Beauty Olonga, who works as a carer and sees herself as an inspiration to other young African women in Britain. Here she tells us more about her show.

"One of the people in charge at Radio 4 asked me to tell you about my new series. She said she would do it herself only she's not very good at 'writing-ey type stuff' and she's got a wedding to go to.

"I could tell she was important because she had a little fold-up bicycle and she only goes into the office two days a week. Since coming to this country to work as a carer, I have learnt to recognise how much power someone has by how small their bike is, how long their holidays are and how much extra work they ask you to do for nothing.

"The British also expect you to compliment them on their sense of humour - like when those elderly gentlemen sang about 'My generation' on TV the other night. But I've noticed that although they like to laugh they don't want to make eye contact. I think that's why Radio 4 is such an important part of their culture.

"A lot of the elderly people I look after have a machine on the bedside table that suddenly starts playing Radio 4 at 6.15 in the morning while, at the same time, squirting them with steam and boiling tea - that fantastic sense of humour again!

"Radio 4 normally starts the day with three hours of high-status men shouting at each other. Sometimes you can hear the velcro tearing on their cycling anklets when they get really worked up. Most of my clients like to shout back at the radio, especially when a man called Gary Richardson is on. The elderly women I look after tend to get very annoyed when Kirsty Young starts talking. Personally I can't see anything to complain about with Kirsty - okay, she lost her professionalism when Morrissey was her guest but I've seen a photo of her in Asda Shopper magazine and she is the only Radio 4 presenter who takes the trouble to do her highlights properly.

"If you are an African girl working as a carer you will pick up plenty of top tips from my new series; from how to upstyle your tabard to slow-cooking carrots overnight to getting your clients seen by NHS professionals who are so young they can't write out a prescription without sticking their tongues out and moving their lips. I'd been living here for nearly two years before I learned the key to dealing with registrars is patience and understanding. Young doctors are very overworked so it doesn't help to criticise them for not knowing how to dress for their shape and for only visiting the barbers once every six months.

"But I hope there will be something useful for everyone who listens to my show. And let's face it that means all of you because how many Radio 4 listeners actually go in to work on a Friday? Exactly."

Beauty of Britain goes out on Radio 4 Friday mornings at 11.30am.

Dictated from the vintage section of the PDSA shop to Christopher Douglas and Nicola Sanderson


Publ.Date : Tue, 28 Aug 2012 09:53:42 +0000

Stewart Lee's Comedy Vehicle will be back in 2014!

Stewart Lee's Comedy Vehicle has been commissioned for another two series. The show is set be broadcast on BBC Two in 2014/15.

Since the first series aired in 2009, the programme has built up a fiercely loyal audience, and Stewart will once again be taking the opportunity to ruffle a few feathers. Produced by Richard Webb and directed by Tim Kirkby, Stewart Lee's Comedy Vehicle is a mixture of stand-up and sketches, performed by Stewart and special guest.

BBC Comedy is thrilled with the commission, with the Head of In-house Comedy, Mark Freeland commenting: "How brilliant that BBC Two has given Stewart Lee two more series. It's reward for a unique, perfectionist, hardworking, bit scary comedy master and the wonderful team behind him. I'm standing by with my compliance forms".

Stewart Lee is also excited at the prospect of two more series: "It will be amazing to be able to move forward and experiment in this unprecedentedly secure position. Thanks to everyone out there who watched the series, wrote about them, or lobbied for their return. I will make you proud. Peace! I'm outta here! You shoulda killed me last year!".


Publ.Date : Fri, 23 Mar 2012 14:18:53 +0000

Episode Zero & The Mice

Roger and Val Have Just Got In returned to our screens on Wednesday 8th February. Beth Kilcoyne co-wrote the show with her sister Emma, and stopped by to talk to us series two:

Beginning to write a second series of Roger & Val was like trying to get a swing-boat started: hard, which is why the man on the swing-boats gives you a push and you catch the rhythm with the rope. But there was no one outside: just me & Emma, not swinging, with 2 ropes. We began. It's a series about distraction: what do you do to get through? We decided to look at Roger being at home all day and focus his neurosis on the washing: "Val? I've got that stain out of your purple blouse" one unmemorable line I remember, as the Tribunal was pointedly ignored. We wrote and wrote, hour after hour, and got to the end, where the stain had come out of the blouse, but, hanging up to dry like a headless person, it gave Val a shock.

It was awful. Dreary. Dull. The characters didn't even sound like Roger & Val; they sounded like people doing an imitation of Roger & Val. I tried to be hopeful it had "just come out wrong", excusing myself with the fact that you can't CUT in R&V, and I'd forgotten the difficulty. But the next draft was even worse; they were now sounding labored, eg. Roger droning on that mozzarella cheese in a packet feels like a ganglion. Over-thought, turgid, flat-footed drivel, leading up to Val's decision to actually apply for the Deputy Headship and Roger opening his Tribunal mail. I couldn't understand why all of a sudden the show said nothing, apart from Roger thought the dirty clothes is an ideal environment for growing mushrooms.

At about this time my house got infested with mice; I saw one in the bathroom, which next day got caught in a trap, so I was hopeful it had been acting alone. No one would believe this if you put it in a script, but the day we handed in the first draft about the washing, I opened my own washer. There was a... thing on the rubber rim. All its fur had been hideously washed off but the tail was still on, grey, shiny, dead but for once clean, tufts of black fur skidded round it and no doubt in among my clothes, which I couldn't throw out because they were all my best ones. Aaaurrgh - visceral - on me. I didn't dare look for its eyes. I retched, and started hopping from foot to foot, stating the obvious but in a weird chant: "There is a mouse in the washer, mouse in the washer, a MOUSE!" to which my partner unwisely replied, "What's the matter? It's dead."

We really now had taken far too much time on this now-laboured Episode 1. On its final night I went to get fish & chips, in panic. When I sat down to eat, there was an alive mouse at the bottom of the stairs. It didn't even bother to run away and I didn't bother to react, because I knew what it had come to tell me: the script was awful. I just sat there, fish and chips slopping out of my exhausted, not-screaming mouth: rock bottom.

We started Episode 2 the next day, when Dave the fantastic Mouseman called to say he had solved the problem. This script wrote like a dream - zinging out from all over the place, free and alive, both characters wholly themselves, ideas toppling over each other to get in, and Val got shortlisted for the interview. Plus we introduced the over-arching story. "What a pity this can't be Episode 1 instead of that boring one about the washing" said my Mum. Of course, it was Episode 1; we had been writing Episode 0 - the characters before we got them going again. So I am grateful to that awful script now, dreadful as it was, because it was the push outside the swing-boat for Series 2. And I never saw a mouse again.


Publ.Date : Tue, 14 Feb 2012 13:30:00 +0000

Chris Reddy - How to Write a Sitcom

Pramface writer, Chris Reddy, stopped by to give us some top tips and insight into the world of sitcom writing:

Hello. I've been asked to do a blog about my writing experiences on Pramface, so here goes...

In brief, an average day would consist of me sitting in a room, staring at a white board covered with illegible scribbles, grinding out pages of scripts late into the night to ever diminishing deadlines while stuffing my face with sugar rich-foods, trying to stay awake.

The next day I would typically wake up to notes from my producer telling me it was 'not good enough' and to 'go back and rewrite... and hurry up'. This went on for months.

So, no, there was not a lot of hanging out in the British Library having lattes, or Soho lunches with glamorous actors talking about how much they love my work. It was basically just one very long slog of writing, rewriting and rewriting again.

Have I put you off yet? If you're still reading, my guess is you're a writer because, let's face it, no normal viewer would be reading this.

So rather than ramble on I thought I'd try to share some of the stuff I've learnt and a few things I'd like to have been told when I was starting out. I'd also add that none of what follows is original, it's just stuff that has struck me as useful along the way. It's all in the many screenwriting books and courses out there already, which brings me to my first point.

1. Read the books
I am always amazed by how many scriptwriters haven't familiarised themselves with the basics of screenwriting technique. In no other profession (like dentistry for example) would you expect to just walk in and have a crack at it without any schooling.

Six episodes of a mid-priced sitcom is going to cost over a million pounds to produce. So when you pitch a script to a broadcaster, you are essentially asking them to spend a million quid on your idea. Whilst they're making this decision, it's probably in your interests for them to feel you have some idea of what you're talking about.

If you are a genius, then spending a couple of weeks reading won't stop you being a genius. You can then happily reject everything the experts say as formulaic nonsense and move on to collecting your armfuls of Oscars, Baftas and Emmys relatively untroubled. If, on the other hand, you're just a regular hack like me, you might find something useful in there.

2. Structure
Everyone bangs on about the importance of structure, and who am I to question them. Half hour narrative comedy is in some ways the most demanding dramatic form (that's right, I'm saying Keeping up Appearances was a tougher gig than Hamlet).

If you're making an art-house film, you've got time to go wandering off on a twenty minute philosophical tangent. The Everyman matinee crowd will love you and your rambling, ambiguous, anti-structure masterpiece.

TV audiences, however, are less tolerant. In television comedy you have to tell funny, coherent, integrated stories in a very compressed time frame. This requires discipline and practice, but you've chosen to write in a populist medium so, no pouting - get used to doing it.

And the truth is, learning to write structurally is actually one of the most rewarding bits of the job. And, when it comes to the dreaded rewrites, I've found having a strong grasp of my story allows me to work more efficiently and approach the task with more confidence.

So how do you structure your comedy script? Well first, don't start with the script...

3. Premise

Classical narrative sitcoms are made up of two acts, but they are acts ii and iii. What? All this means is that the de facto first act of a sitcom is the premise of the show itself. And I don't mean just the backstory; I mean the cast design, the character relationships, and the arena of the show. This is the real root of the comedy.

Make sure you spend time designing your premise rather than just churning out thirty-odd pages of script, hoping your natural gifts will carry you through. Been there, done that, my natural gifts carried me through to a forty page confusing mess that still hasn't been shot. No surprises there.

Writers' tendency to skimp on the design of their premise is the reason script development and script editing in half hour comedy is such a difficult job. By the time a new project makes it into development with a production company, it's often already broken.

And since TV production companies typically develop scripts rather than premises, the structural elements causing the problems will always be out of their reach. This is why, despite the best efforts of talented people, TV shows can still arrive on screen hobbled by the inherent weaknesses of the initial design.

4. Funny stories.

So now you've designed a robust narrative machine, you're going to need a funny story to feed into it.

It's important that the events of the story themselves are funny (or at least dramatically interesting) prior to the inclusion of any dialogue or action. The individual scenes should be amusing just by dint of their position and context in the overall narrative.

I go to my big whiteboard and start by plotting out the events I know I want in my story, putting them in approximately the right position, then I try to connect them up in an interesting way. It's somewhere between doing a jigsaw and drawing a picture. You try to see how the pieces you already have slot together, and then fill in the gaps.

Do this for your A plot and any subplots until you have an interesting, escalating story with promising comic scenes, and a strong payoff, then fill in the dialogue and action.

The benefit of this approach is that when you write your actual script, the dialogue magically improves because it's been released from the burden of carrying the plot.

Conversely, a properly positioned scene becomes much funnier because it has the full weight of narrative behind it. The comic tension is generated by the entire story rather than disconnected bits of business in-scene, or superficially 'comic' dialogue.

You should aim for about 35 pages in standard feature screenplay format. It'll be around six thousand words give or take a couple of hundred depending on how verbose you are with your stage directions.

5. Why won't they call?
So you've written your spec and sent it out, and now everyone is ignoring it. When you first start out, the industry can seem to take an age to respond. Sometimes it never calls back at all. It's easy to feel isolated and get frustrated when everyone seems to be ignoring you or, worse, deliberately excluding you. However, your fears are unfounded. Conspiracy implies a degree of organisation that is absent from most of the organisations you currently believe to be maliciously ignoring you.

If you have talent, then you will get through eventually. In the meantime, don't waste your time and energy getting angry and despondent. Get better at your job. The truth is that writing talent is relatively commonplace, craft is rare. If you develop your technical abilities, you will instantly distinguish yourself from 90% of the writers in the marketplace.

Very few people can write at a professional level, very few do. Most of the television being produced today is written by a small group of people. This group has three subsets made up of the supremely talented, the moderately talented who have learned some craft, and a bunch of people who you could supplant if you write a decent script.

Now stop browsing the Internet and go and do some writing.


Publ.Date : Tue, 27 Mar 2012 15:00:00 +0000

Making The Matt Lucas Awards

Ashley Blaker, series producer, co-creator & co-writer of The Matt Lucas Awards stopped by Comedy Towers to talk to us about making the final episode of series one.

Everyone was very excited about making this episode of The Matt Lucas Awards and there was a fun end-of-term feel around the studio. For starters it was the final recording of an incredibly intense period that should have carried a government health warning. We were also really looking forward to having Ruth Jones, David Baddiel and Griff Rhys Jones on since not only are they three really funny people, but they are also seldom seen on other comedy chat shows so we were thrilled they'd agreed to do this.

In order to see this content you need to have both Javascript enabled and Flash installed. Visit BBC Webwise for full instructions. If you're reading via RSS, you'll need to visit the blog to access this content.

A few days before filming, the final Lucas was going to be Most Baffling Song and of course everyone would have to perform their nomination. However, locked in my office at Television Centre at around 2:30am - high on chocolate and processed food - Matt and I agreed we'd already had people singing and wanted to do something a bit different. So we changed the award to 'Most Baffling Campfire Song' and decided we'd like to build an actual campfire in the studio and get everyone to sit around it chatting and singing with the lights turned down. I'm sure the Health and Safety people were tearing their hair out, but credit to our amazing art department and in particular Production Designer Dennis De Groot who made it all happen.

In order to see this content you need to have both Javascript enabled and Flash installed. Visit BBC Webwise for full instructions. If you're reading via RSS, you'll need to visit the blog to access this content.

A reason for personal excitement was also the fact that we managed to track down our former swimming teacher Mr Keith Talbot. The first award is the Lucas for School Subject Most Likely To Induce Severe Depression and David Baddiel - who went to the same school as both Matt and myself - nominated swimming. So it seemed only fair that the man who depressed David all those years ago should have the right to reply!

In order to see this content you need to have both Javascript enabled and Flash installed. Visit BBC Webwise for full instructions. If you're reading via RSS, you'll need to visit the blog to access this content.

We asked fans of the show to send in their questions about The Matt Lucas Awards for Ashley to answer:

Who was Ashley's favourite guest/anecdote?
Favourite guest is a tough one. We really were blessed with having great guests who got into the spirit of the show and were happy to sing, perform magic tricks, eat cakes, perform gangster raps, wear silly wigs and anything else we asked them to do. So forgive me if I don't annoy 17 guests by picking one favourite.

One of my favourite anecdotes was one we didn't have time to hear in the end. In the recording of episode four we had a Lucas for Most Embarrassing Item of Clothing Ever Seen In A Guest's Wardrobe and Johnny Vegas told a story about how he wasted his first ever student grant cheque on a poncho in Camden Market. We brought out models wearing all the nominations but in Johnny's case it was a very large woman and when she appeared it was a very funny moment. Sadly there just wasn't time to have it in the final show.

What are the possible pitfalls of transferring a comedy from radio to TV? How have you avoided them?
That's a good question. On the one hand you run the risk of pointing a camera at the exact same show and having people criticise you for just making a radio show on TV. On the other hand, if you change too much you run the risk of ruining the show and losing what was good about it in the first place.

I'm sure there will be people who say they preferred the show on radio just as I know others who have told me they prefer the TV version. I think one needs to view them as quite distinct entities because there are things that we can do in one medium that we can't do in the other.

Where do you get all the sofas from?
Why? Do you want to buy one? Our Art Department did a great job on the set and in the weeks before filming they would constantly show us photos of sofas they had seen to find out if we liked them. They seem to be able to find anything although I genuinely have no idea where they get all this stuff. If we ask them for twenty 1970s annuals for a shelf they seem to magically appear.

Would you ever consider making it more spontaneous where for example the audience could shout out categories and the panel would then have to come up with things on the spot?
Absolutely, why not? Hang on, if we do that now you're going to say it was your idea!

Make sure you tune into the final episode of series one of The Matt Lucas Awards on Tuesday 15th May at 10.35pm on BBC One. There will also be a compilation episode on Tuesday 22nd May.

Check out Ashley's post on the TV Blog: Making the Matt Lucas Awards with my childhood friend Matt


Publ.Date : Fri, 11 May 2012 18:00:01 +0000


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The numbers of migrants trying to cross from the Libya on the coast of north Africa to one of the EU's southern nations is increasing. Europe's impoverished southern nations can't cope. And in the better off nations of northern Europe immigration is a toxic issue which is fuelling the rise of anti EU parties from France to Finnland in the north and Hungary in the east. What can be done?

It Starts At The Finnish
Conservative, Euro-sceptic party True Finns (PS) have come second in a national election in Finland. They may now be asked to join a ruling coalition with the liberal, anti EU Centrist Party which knocked pro-Europe, pro-federalisation conservative party off the top spot.

If Sturgeon Is Jerking Miliband's Strings, Who Will Be Prime Minister
Since the second division leaders' debate last week, The SNP's Nicola Sturgeon has been leading the news every day. With Labour facing wipeout by the nationalists in Scotland, the possibility of a Labour / SNP coalition along the lines of the Conservative / Lib Dem coalition that has governed since 2010 has become the obsession of the media.

Leaked EU - TTIP document: Destruction of Democracy planned
A new leaked European Commission proposal which if implemented would form part of the EU-US Transatlantic Trade and Investment Partnership (TTIP) treaty currently being negotiated in secret between Brussels and Washington, EU member state legislative proposals will be subjected to vetting by corporate lawyers for potential impacts on private business interests first.

Self-Loathing Sweden Should Only Welcome Persecuted Immigrants, Instead They Invite The Persecutors Too.
We have covered immigration problems in Europe extensively, but the European country that demonstrates how wide the gap between ordinary people and the ruling eilte has become is Sweden where the politically correct governing coalition's immigration and social policies seem to indicate the elite are engaged in a genocide campaign against ethnic Swedes

The Greek "White Knight" Emerges: Putin To Give Athens €5 Billion For Advance Gas Pipeline Fees

With Greece teetering on the edge of insolvency and forced to raid pension and most other public funds, ahead of another month of heavy IMF repayments which has prompted even the ECB to speculate Greece should introduce a parallel "IOU" currency, a white knight has appeared out of nowhere for Greece,

The Public Interest to Protect Powerful Paedophiles
The Director of Public Prosecutions has decided that it would not be in the public interest to prosecute serial paedophile Greville Janner, for many years the leader of the Zionist lobby in the UK. I presume that his convenient senility is the reason for non-prosecution ...

Reasons Why This Pagan Will Not Vote Labour, Conservative Or Liberal Democrat.
As we prepare to vote in a General Election that we are told will change British Politucs forever, Ian looks at a choice of three main parties that basically offer the same set of globalist, multiculturalist policies and consideres which way a pagan should vote.

The Truth - Labour Privatized The NHS between 1997 and 2010, Now Their Toxic Policies Are Bankrupting It
In the run up to the 2015 UK General Election, and without doubt beyond, one of the great political controversies will focus on the future of the national Health Service (NHS). While most voters consider The Conservatives to be the party of private profit and thus consider Labour a better choice to look after the NHS, Labour has in fact done more, and more damagingly, to privateize health services

NHS executives 'earn £35 million in pay rises' despite funding crisis
While Labour, Lib Dem and Green politicians accused the Conservatives of starving the NHS of cash,and as many Hospital Trusts faced financial problems and having to cut back on standards of care given to patients, we are learning that NHS bosses awarded themselves over £35 million in pay rises during the worst financial year in the history of the service.

Germany Needs A Revolution, Anti-Islam Campaigner Tells PEGIDA Supporters in Dresden
Dresden, Germany heard controversial Dutch politician Geert Wilders address them last night, as the group rebuilds momentum ground after weathering vicious and untrue attacks from German mainstream media, and physical violence from the usual left wing rent-a-mob thugs who always turn out to deny the right of free speech to those who opposed their views.

Anti-Science – The Church Of Scienceology's Latest Pejorative Term For People Who Think And Question.
We are not the only web site to take exception to accusations of being anti - science and all the other pejorative terms used by the Church Of Scienceology disciples to deflect criticism from independent minded people who are smart anough to ask Cui Bono? Which corporate business benefits.

Corporate Capitalism Has Replaced Democracy In Western Nations.
Although this is about the UK General Election in 2015 it has much wider relevance, concerning what is happening in the democratic societies of the developed nation. For that reason this look at how corporate capitalism is usurping democracy and individual freedom will also be relevant long after that election in May 2025.

World War Three? Kiev Reinvades Donbass, Deliberate Provocation Trashed Minsk Agreement
When America wants to provoke Russia it uses proxies, a rabble in Libya, Islamic fundamentalists in Syria and Iraq and neo - Nazi thugs in Ukraine. So far Russia has resisted the urge to kick Obama in the balls, but sooner or later the Russia - China - Iran alliance will respond.

Who Runs America? US Federal Trade Commission Takes Orders From Google
Barak Obama runs America surely, you might well be thinking. We would argue that no US President since Eisenhower has truly run the USA. But the latest revelation of how cosy the Obama Administration has become with corporate business, to the extent that government departments are taking instruction from Google will shock even the most cynical Americans

Rhodes Statue Defaced As South Africa Slides Back Into Primitive Tribalism
A statue of colonial leader Cecil Rhodes at the University of Cape Town has been removed after students launched an uncompromising campaign to have the British explorer and businessman expunged from history. Protesters poured red paint on the bronze figure and danced on the plinth as the statue was lifted off on Friday.

Punish Climate Change Liars" Demands Climate Change Liar
Over the years my scepticism about global warming and attempts to initiate intellgent discussion of the dodgy science based on mathematical models that forms the basis of the Warmageddonist case, versus much less alarming projections based on data from real world observations haveearned me accusations of being a child murderer. Not only that, some of the lefties who support climate fascism have demanded the death penalty for people who disagree with them. And yet they think it unfair to punish certain child rapists and murderers. Hypocrites.

US Soldiers Forced To Sit Through P C 'White Privilege Presentation. Not Happy Bunnies
The U.S. Army is investigating an unauthorized diversity training presentation on “white privilege” shown to hundreds of Georgia soldiers, USA Today reported, citing an Army spokeswoman. The Equal Opportunity training presentation was shown to about 400 soldiers of the 67th Signal Battalion at Fort Gordon on Thursday, according to Captain Lindsay Roman.

Britain's Racist Future: Labour Set To Throw Selection On Merit Out The Window
With four weeks to go until a General Election that could change the face of Britain forever, the Labour Party, which hopes to be elected to govern this great and proud nation, has unveiled a set of policies that would make minorities into privileged castes and relegate the white Working and middle classes to the status of second class citizens. Could you vote for a party that hates your country, your party and YOU?

Now We Know Why Huge TPP Trade Deal Is Kept Secret From the Public
A key section of the secret Trans-Pacific Partnership (TPP) trade agreement has been leaked to the public. The New York Times has a major story on the contents of the leaked chapter, and it's as bad as many of us feared. Now we know why the corporations and the Obama administration want the TPP, a huge "trade" agreement being negotiated between the United States and 11 other countries, kept secret from the public until it's too late to stop it.

Judge Cuts 20 Year Old's Rape Sentence By 15 Years Because 'He Did Not Mean To Hurt 3-Year-Old Victim
It could only happen in the land of politically correct twattery of course, while here in the UK Labour Party supporters and the Islington Screechers corps wail and gnash their teeth over the fact that pedophiles are denied fulfillment and must be given the right to fuck four year olds, in California the judiciary are acting to rectify the situation ...

Teacher Forced To Resign For 'Sharing' Material Critical Of Obama And His Beloved Muslim Terrorists
The supporters of the wannabe King of the American Empire like to describe themselves as 'liberal', 'progressive', and left wing. If they were really any of those things they would not be as fanatically committed to the idea of suppressing free speech as they are.

US Presidents Of The Past warned Against Secret, Shadow Government. By now it should be obvious that peacemake, joybringer and putative aquatic pedestrian Barack Hussein Obama was never really in charge of the US Government. Whatever Obama said would happen, all the American government's policies ensured the opposit would happen. The embedded article thows some light on how the US government really works

Google Meets White House Officials Every Week Why?
... Given the close relationship the company has with the Obama administration, an administration which has shown itself to be severely "truth challenged," in its dealings with the public, this is of some concern.

Indiana pizza shop closes after anti-gay marriage comments; donations pour in


An Indiana pizza shop owner’s anti-gay marriage stance is paying off. Online supporters donated more than $33,000 in three hours to Memories Pizza after the pie maker’s controversial pledge not to cater same-sex weddings spawned a wave of criticism.

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